Edwin Luna y La Trakalosa de Monterrey capture their fourth champ on Billboard’s Regional Mexican Airplay chart with “No Se Vale.” The group’s latest single rises 3-1 to lead the chart dated Sept. 16.

“No Se Vale” crowns Regional Mexican Airplay in its 10th week with 6.37 million audience impressions. That’s less than a 1% gain from the week prior, earned in the U.S. in the week ending Sept. 7, according to Luminate.

“No Se Vale” gives Edwin Luna and La Trakalosa their fourth No. 1 and first in almost two years, after the two-week coronation of “Saludos a Mi Ex” in March 2021. The group achieved its first Regional Mexican Airplay ruler through “Dormida” which dominated for three weeks in 2020. In total, Luna and La Trakalosa have placed nine top 10 entries dating back to 2017 when “Aplauso” reached its No. 4 high.

Beyond the new Regional Mexican Airplay No. 1, “No Se Vale” holds at No. 10 (its peak) on the overall Latin Airplay chart for a second week.

Mora’s Fourth Straight Top 10: Over on Top Latin Albums, Mora picks up his fourth straight top 10 with his fourth album, Estrella. The 15-track set, released via Rimas Entertainment on Aug. 28, advances 12-8 with 9,000 equivalent album units, up 19%, earned in the U.S. during the Sept. 1-7 tracking week.

As with most Latin rhythmic efforts, the bulk of Estrella’s activity comes from streaming equivalent album units. That figure equals to 12.2. million official U.S. on-demand streams of the album’s songs. Album sales and track-equivalent album units, meanwhile, account for the negligible remaining units.

Estrella follows three other top 10s, two No. 4-peaking sets which landed in 2022: While Microdosis endured for 33 weeks, Paraiso’s run completed after six weeks on Top Latin Albums.

Elsewhere, Estrella jumps 6-4 for a new peak on Latin Rhythm Albums. It also debuts at No. 167 on the all-genre Billboard 200.

As Estrella arrives, two songs debut on the Global charts. On Billboard Global 200, “Reina,” with Saiko, debuts at No. 149 after drawing 15.18 million global streams, while “Dónde Se Aprende a Querer” starts at No. 156 with 14.4 million worldwide streams. The former concurrently logged 13.7 international streams with a No. 87 start on Global Excl. U.S., while the latter launched at No. 99 with 12.62 streams outside the U.S.

Pamela Bustios
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