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Here’s the Top-Grossing Film for Each Year From 1977 to 2024

Published
7 months agoon
By
Paul Grein
Most Billboard readers have at least a rough idea of the top albums and songs of each year but may be less familiar with the top box-office hits from each year. Fortunately, boxofficemojo.com has that information for each year dating back to 1977.
So what do we learn scrolling through the list of top-grossing films for each year since Jimmy Carter became president and Elvis Presley died? One thing that comes across loud and clear is the degree to which sequels and franchises have come to dominate the marketplace. Just five of the year-end box-office champs were films that were not part of franchises (or did not spark a franchise or a reboot of some kind). Those five films that stand alone are E.T. the Extra-Terrestrial, Who Framed Roger Rabbit, Ghost, Titanic and Barbie.
Star Wars is the top franchise on this recap, with six installments that have been the year’s top-grossing film. Batman is runner-up, with four installments that finished first for the year. Spider-Man is third, with three installments that yielded the year’s top box-office hit.
James Cameron and George Lucas are tied as the only directors who each directed three films that took the year-end crown. Tim Burton, Sam Raimi, Tony Scott, Steven Spielberg, Andrew Stanton and Robert Zemeckis are tied for second place, each having directed two year-end champs.
John Williams is far and away the top film scorer. The legendary composer scored 10 films that took the year-end box-office crown. Danny Elfman, Alan Silvestri and Hans Zimmer have each scored films that finished first four times.
Lucas and Williams are the only director/composer team to collaborate on three year-end box-office champs. Six other such teams have collaborated on two year-end champs: Spielberg and Williams; Zemeckis and Silvestri; Scott and Faltermeyer; Cameron and James Horner; Burton and Elfman; and Stanton and Thomas Newman.
Let’s scroll back through the films that had the most success at the domestic box office (that’s the U.S. and Canada) in each calendar year since 1977, when Annie debuted on Broadway, Laverne & Shirley was the top TV show and Fleetwood Mac’s Rumours dominated the Billboard 200.
Paul Grein
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