Inside the Elton John AIDS Foundation Academy Award Party: Chappell Roan Brings the Hits & Duets With the Legend

Just over an hour after the 97th Academy Awards came to a close, the annual Elton John AIDS Foundation Academy Award Party was preparing for its hotly anticipated performance from the Grammy-winning artist Chappell Roan. 

Taking place just 10 minutes south of the Dolby Theater, at West Hollywood Park, a mix of fellow artists (from Brandi Carlile to Diplo), actors and industry insiders packed the largest of three rooms as the hour inched past 9:00 p.m. Following an introduction and thank you from Sir Elton John himself, Roan kicked her off her hour-long set at 9:10 with the rousing “Femininomenon” followed by “Naked In Manhattan.” 

“Can you believe it?” she asked. “We’re at a dog park behind The Abbey.” She later spoke of the famed gay bar for its role in inspiring her breakout hit “Pink Pony Club” – which she performed alongside John, who stayed seated for its verses but jumped up to sing and dance to the chorus while donning a sparkling pink cowboy hat placed on his head by Roan herself. To which he said: “Yeah, baby!”

“I would just like to say thank you, Elton, for believing in ‘Pink Pony Club.’ He played it first, y’all. And I’m so grateful that you would have me here,” Roan said. She also stressed the importance of his event while wiping away a tear and holding John’s hand. “You have sacrificed so much for the queer community, and you made it so I could be the artist I could be.”

Prior to duetting on a hit of Roan’s, the pair performed a stunning rendition of John’s Hot 100 No. 1 “Don’t Let the Sun Go Down on Me” with John on keys. And earlier, Roan had tucked in another ode to the legend with an incredible cover of his touching top 10 track “Your Song.” 

“It’s kind of scary singing it in front of the person who wrote it,” Roan admitted with a laugh, adding it’s “maybe the best song of all time.” She dedicated the song to parents, both of whom were in attendance, and thanked them for introducing her to John’s discography.

Still, the majority of Roan’s set was filled with her own charting hits, including “Casual,” “Hot To Go!” “Red Wine Supernova,” “Good Luck, Babe!” and “My Kink Is Karma.” But no matter what song Roan was performing, she delivered a potent combination of her soaring vocal range and spirited physicality (she rarely stayed in one spot on stage for long and proved to be well acquainted with a high kick). And while nothing about her set was inhibited by the black tie attire and table seatings scattered throughout the room, she had no problem calling out those in the back row who were a bit more reserved.

“Cut loose, baby!” she said with a laugh. “Let’s have fun.” Meanwhile, those packed near the stage had no need for such instructions, as their dancing made the floor shake (coincidentally, an earthquake hit Los Angeles minutes after her set ended). 

As John said himself of the superstar while on stage: “You’re the best, baby. I love you so much.”