WHAT'S HOT
Sony Music Reports Double-Digit Revenue Growth, Driven By SZA, David Gilmour and Live Shows
Published
1 year agoon
Sony Music revenue grew 10% year-on-year to 448.2 billion yen ($2.9 billion) last quarter, as hit records by SZA, David Gilmour and Travis Scott, coupled with higher sales from live shows and merchandise, helped boost growth in both recorded music and music publishing.
For its fiscal second quarter ended Sept. 30, Sony Music — comprising Sony Music Entertainment, Sony Music Entertainment Japan and Sony Music Publishing — reported quarterly operating income of 90 billion yen ($589 million), a 12% rise on the same period a year ago.
Adjusted operating income before depreciation and amortization (OIBDA) climbed 15% year-on-year, totaling just under 112 billion yen ($733 million), Sony Music’s parent company, Sony Group Corp., reported Friday (Nov. 8).
Related
Pink Floyd Sells Recorded Music Assets to Sony. Could Publishing Be Up for Grabs Next?
10/02/2024
The company said growth in revenue from streaming subscriptions, live events and merchandise from recorded music, as well as the impact of foreign exchange rates were among the key drivers of its positive quarterly financial results. They bring Sony Music’s half-year earnings up to 890.2 billion yen ($5.8 billion), up 16% year-on-year, with a half-year operating income of 176 billion yen ($1.1 billion).
Breaking down Sony Music’s quarterly earnings, recorded music revenue increased 14% year-on-year to 290 billion yen ($1.9 billion), with subscription and ad-supported streaming up 9% to 189 billion yen ($1.2 billion), accounting for around 65% of the firm’s recorded music earnings.
Physical revenue jumped 22% year-on-year to 25 billion yen ($164 million), while Sony’s “other” category — which includes revenue from merchandise, live performances and licensing revenue from synch, public performance and broadcast — was up 33% to 68 billion yen ($446 million).
SZA’s blockbuster album SOS, which has broken numerous chart records since it was first released in December 2022, including overtaking Aretha Franklin’s Aretha Now as the longest-running chart topper of the Top R&B/Hip-Hop Albums tally, was Sony Music’s top seller of the quarter.
In second place was Gilmour’s first studio album in nine years, Luck and Strange, which debuted at No. 10 on the Billboard 200 earlier this year. Other top sellers for Sony Music in the three month period included Scott’s UTOPIA, Future & Metro Boomin’s WE DON’T TRUST YOU, Beyoncé’s COWBOY CARTER, Harry Styles’ Harry’s House and Luke Combs’ This One’s for You. The one title in the top 10 from outside this decade was Michael Jackson’s Thriller, the 1982 classic co-produced by Quincy Jones, who passed away on Sunday (Nov. 3).
Related

Universal Music Group Had Revenue of $3.2 Billion in Q3, a Gain of 4.3% Year Over Year
10/31/2024
On the music publishing side, Sony Music reported revenue of 92 billion yen ($604 million), up 11% year-on-year. The company said the strong performance of its publishing arm was led by strong gains in streaming income, which rose 9% to just under 53 billion yen ($347 million). Publishing’s “other” category grew by around 13% year-on-year to 38.6 billion yen ($253 million). The company disclosed that as of March 31, its publishing division either owned or administered approximately 6.24 million songs.
Visual media and platform sales, which includes revenue from animation titles, game applications and service offerings for music and visual products, fell slightly to 62 billion yen ($407 million), down 1% on the same period last year.
Sony Music said its forecast for full-year revenue was unchanged from the previous quarter with projected sales of 1.74 trillion yen (approximately $11.4 billion) and projected operating income of 330 billion yen ($2.2 billion).
Sony Music’s fiscal second quarter highlights:
▪Revenue of 448 billion yen ($2.9 billion), up 10% year-on-year
▪Adjusted operating income of 112 billion yen ($733 million), up 15%
▪Recorded music revenue increased 14% year-on-year to 290 billion yen ($1.9 billion)
▪Music publishing revenue of 92 billion yen ($604 million), up 11%
▪Visual media and platform revenue of 62 billion yen ($407 million), down 1%
Richard Smirke
‘I dont blame her for not trusting you’: California man helps woman at the bar. Then his girl goes off on him on speaker in the Uber. You won’t believe what happens next
Foolio Murder Trial Ends With Guilty Verdict For Four Men
Pooh Shiesty Maintains Innocence In $450K Gucci Mane Robbery
Nick Cannon’s Business Accountant Stole $2M From Him & Fled To Uganda, Feds Charge
Rick Ross Reveals New Album “Set In Stone”
Exclusive Interview With Positive Society
Exclusive Interview with Robert Flournoy
Exclusive Interview with Humble Hefe
Exclusive Interview with Christian K
Exclusive interview with Hefe OG
Cardi B – Bongos (feat. Megan Thee Stallion) [Official Music Video]
Travis Scott – KICK OUT
Kevin Gates – F*k Em (Official Music Video)
Enphamus – No Biggie 2 ft Big Yavo (Official Video)
Rod Wave – Feed The Streets (Official Music Video)
TRENDING
‘I dont blame her for not trusting you’: California man helps woman at the bar. Then his girl goes off on him on speaker in the Uber. You won’t believe what happens next
‘This isn’t the flex you think it is.’ “Drop-dead fantastic” is what this guy calls a woman he met at...
Foolio Murder Trial Ends With Guilty Verdict For Four Men
Foolio’s four accused killers are convicted of first-degree murder, facing life or death as prosecutors seek capital punishment. A Tampa...
Pooh Shiesty Maintains Innocence In $450K Gucci Mane Robbery
Pooh Shiesty maintains his innocence after entering a not guilty plea to federal kidnapping and robbery charges involving Gucci Mane....
Nick Cannon’s Business Accountant Stole $2M From Him & Fled To Uganda, Feds Charge
Nick Cannon’s former money manager allegedly stole over $2 million through unauthorized debit card withdrawals, Amazon purchases, and personal travel...
Rick Ross Reveals New Album “Set In Stone”
Rick Ross is officially back into album mode while celebrating one of the defining moments of his career at the...
