Jhené Aiko Achieves First No. 1 Album on Billboard 200 With ‘Westside Whimsy’

Jhené Aiko achieves her first No. 1 on the Billboard 200 albums chart as Westside Whimsy debuts atop the tally dated Sept. 26.

The set earned 74,000 equivalent album units in the United States in the week ending Sept. 17, according to Luminate. It’s the first R&B album by a woman to lead the chart in 2026, and the first to rank at No. 1 since SZA’s SOS was tops for a 13th and final week in May of 2025. The only other R&B set to hit No. 1 in 2026 was Bruno Mars’ The Romantic (March 14 chart). (R&B albums are defined as those that are eligible for, or have charted on, Billboard’s Top R&B Albums chart.)

Westside Whimsy was released on Sept. 11, after it was announced on Sept. 8. The project boasts collaborations with Ab-Soul, Larry June, Kendrick Lamar, Ohma and Tyga.

Westside Whimsy marks the singer-songwriter’s sixth top 10 overall on the Billboard 200, dating to her first chart entry and top 10, Sail Out, which debuted and peaked at No. 8 in November 2013. The new set is Aiko’s first full-length studio album since 2020’s Chilombo, which debuted and peaked at No. 2 and was later nominated for album of the year at the Grammy Awards.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 26, 2026-dated chart will be posted in full on Billboard‘s website on Sept. 23, one day later than usual due to observance of Yom Kippur on Sept. 21. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of Westwide Whimsy’s 74,000 first-week equivalent album units, SEA units comprise 70,000 (equaling 71.33 million on-demand official streams of the set’s songs — it debuts at No. 1 on the Top Streaming Albums chart), album sales comprise 3,500 (it debuts at No. 25 on Top Album Sales; it was only available to purchase digitally, as physical editions are due in January) and TEA units comprise 500.

Aiko is the second act in 2026 to wait at least 10 years from a Billboard 200 chart debut to a first No. 1. Aiko went 12 years and 10 months from her debut with Sail Out (Nov. 30, 2013-dated chart) until her first leader. Earlier this year, Megadeth landed its first No. 1 with its self-titled set — nearly 40 years after the metal act’s chart debut in 1986.

The last soloist to wait longer for a first No. 1 was Andrea Bocelli in 2018: a little more than 20 years for his first leader, Sì. The last woman to wait longer than Aiko was Solange: 13 years and eight months between her chart debut in February 2003 and her first leader with A Seat at the Table in October 2016.

As for the rest of the top 10 on the latest Billboard 200, it’s a quiet week, as Westside Whimsy is the only debuting title in the region. The Nos. 2-8 titles are all former No. 1s, with Ella Langley’s Dandelion falling to No. 2 with a little more than 60,000 equivalent album units earned (down 11%). Olivia Rodrigo’s you seem pretty sad for a girl so in love dips 2-3 (60,000, down 7%); Morgan Wallen’s I’m the Problem is down 3-4 (57,000, down 5%); Noah Kahan’s The Great Divide is a non-mover at No. 5 (46,000, down 1%); Drake’s ICEMAN rises 9-6 (35,000, down 4%); Ariana Grande’s petal slips a spot to No. 7 (34,000, down 24%); and Rod Wave’s Don’t Look Down falls 7-8 (nearly 34,000, down 20%).

Rounding out the top 10, Olivia Dean’s The Art of Loving climbs 10-9 (33,000 equivalent album units, down 4%) and Kahan’s Stick Season is up 13-10 (nearly 33,000, down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.